silent film

Essays
The Man and *The Crowd* (1928): Photography, Film, and Fate

The Man and The Crowd (1928): Photography, Film, and Fate

“Make films about the people, they said”, Jean-Luc Godard once quipped, “but The Crowd had already been made, so why remake it?” Gideon Leek rewatches King Vidor’s classic, in which a young man with big dreams moves to New York City and becomes an identical cog who learns to love the machine of modernity. more