Happy Public Domain Day 2025!

January 1, 2025

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Another year dawns... and another bevy of works dust off their copyright and emerge fresh-faced, full of hope, into the elysian plains of the public domain! On this year's Public Domain Day (which falls each January 1st) we welcome, in lots of countries around the world, the works of two titans of 20th-century art, Frida Kahlo and Henri Matisse, and in the US a handful of seminal books including William Faulkner’s The Sound and the Fury, Virginia Woolf’s A Room of One's Own, and Ernest Hemingway’s A Farewell to Arms.

Due to differing copyright laws around the world, there is no one single public domain, but there are three main types of copyright term for historical works which cover most cases. For these three systems, newly entering the public domain today are:

  • works by people who died in 1954, for countries with a copyright term of “life plus 70 years” (relevant in UK, most of the EU, and South America);
  • works by people who died in 1974, for countries with a term of “life plus 50 years” (relevant to most of Africa and Asia);
  • films and books (incl. artworks featured) published in 1929 (relevant solely to the United States).

Some of you may have been following our advent-style countdown calendar which revealed day-by-day through December our highlights for these new public domain entrants. The last window was opened yesterday, and while such a format was fun for the slow reveal, for the sake of a good gorgeable list we’ve exploded the calendar out into a digestible array below. Enjoy!

Entering the public domain in the US

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Virginia Woolf’s A Room of One's Own

A Room of One’s Own is an extended essay by Virginia Woolf, first published in September 1929. The work is based on two lectures Woolf delivered in October 1928 at Newnham College and Girton College, women’s colleges at the University of Cambridge. In her essay, Woolf uses metaphors to explore social injustices and comments on women’s lack of free expression, and constructs a critical and historical account of women writers. Woolf examines the careers of several female authors, exploring whether women were capable of producing, and in fact free to produce, work of the quality of William Shakespeare, and addressing the limitations that past and present women writers face. (Wikipedia)


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Graham Greene’s The Man Within

The Man Within (1929) is the first novel by author Graham Greene, an English writer and journalist regarded by many as one of the leading novelists of the twentieth century. It tells the story of Francis Andrews, a reluctant smuggler who betrays his colleagues, and the aftermath of his betrayal. It is Greene’s first published novel. (Two earlier attempts at writing novels were never published, but a book of poetry, Babbling April, was published in 1925, while Greene was a student at Balliol College, Oxford). The title is taken from a sentence in Thomas Browne’s Religio Medici: “There’s another man within me that’s angry with me.” Greene, in his preface to the Penguin paperback edition of the book, derides the book as hopelessly romantic. But the favourable reception of his debut novel did enable him to work full-time as a novelist. (Wikipedia)


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William Faulkner’s The Sound and the Fury

The Sound and the Fury is a novel by the American author William Faulkner. Published in 1929, The Sound and the Fury was Faulkner’s fourth novel, and was not immediately successful. In 1931, however, when Faulkner’s sixth novel, Sanctuary, was published—a sensationalist story, which Faulkner later said was written only for money—The Sound and the Fury also became commercially successful, and Faulkner began to receive critical attention. Set in Jefferson, Mississippi, in the first third of the twentieth century, the novel centers on the Compson family, former Southern aristocrats who are struggling to deal with the dissolution of their family and its reputation. Over the course of the novel, the family falls into financial ruin, loses its religious faith and the respect of the town of Jefferson, and many of them lose their lives. It employs several narrative styles, including stream-of-consciousness. Perhaps as a result of disappointment in the initial rejection of his first novel, Flags in the Dust, Faulkner had now become indifferent to his publishers and wrote this novel in a much more experimental style. In describing the writing process for this work, Faulkner later said, “One day I seemed to shut the door between me and all publisher’s addresses and book lists. I said to myself, ‘Now I can write.’” (Wikipedia)


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Aleister Crowley’s Magick in Theory and Practice

Magick in Theory and Practice is the third part of Aleister Crowley’s Magick, Liber ABA, Book 4, which is widely considered to be his magnum opus. Crowley was an English occultist, ceremonial magician, poet, novelist, mountaineer, and painter. He founded the religion of Thelema, identifying himself as the prophet entrusted with guiding humanity into the Æon of Horus in the early twentieth century. Magick, Liber ABA, Book 4 is a lengthy treatise on ceremonial magic (which he anachronistically refers to as “magick”, to distinguish it from stage magic), synthesised from many sources including yoga, Hermeticism, medieval grimoires, contemporary magical theories from writers like Eliphas Levi and Helena Blavatsky, and his own original contributions. It consists of four parts: Mysticism, Magick (Elementary Theory), Magick in Theory and Practice, and ΘΕΛΗΜΑ—the Law (The Equinox of The Gods). The book’s creation was part of Crowley’s broader effort to systematize and articulate the principles of Thelema, the spiritual philosophy he founded. Crowley’s intention was to demystify the practice of magick, making it more accessible to serious students of the occult. He is known for coining the famous phrase: “Magick is the Science and Art of causing Change to occur in conformity with Will.” In Magick in Theory and Practice, which was also published as a standalone volume, Crowley explores the theory and philosophy of magick as well as significant rituals, such as the Star Ruby banishing. (Wikipedia)


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Lloyd C. Douglas’s Magnificent Obsession

Magnificent Obsession is a 1929 novel by American author Lloyd C. Douglas. An American minister and author, Douglas was one of the most popular American authors of his time, although he did not write his first novel until he was fifty. The story traces the life of Robert Merrick, resuscitated by a rescue crew after a boating accident. The crew is thus unable to save the life of Dr. Hudson, a physician renowned for his ability to help people, who was having a heart attack at the same time on the other side of the lake. Merrick decides to devote his life to making up for the doctor’s, and becomes a physician himself. Douglas later wrote a book in response to the flood of letters he received from readers who wanted to know where they could find the book to which he referred in the novel, Dr. Hudson’s Secret Journal. The Robert Merrick character decoded the journal, from which he learned the secret of his extraordinary success as a doctor. (According to the book, the secret was the literal practice of doing good deeds secretly, and thereby reaping spiritual power to use in becoming an excellent doctor.) Magnificent Obsession was one of four of Douglas’ books eventually made into blockbuster motion pictures. (Wikipedia)


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Ernest Hemingway’s A Farewell to Arms

A Farewell to Arms is a novel by American writer Ernest Hemingway, set during the Italian campaign of World War I. First published in 1929, it is a first-person account of an American, Frederic Henry, serving as a lieutenant in the ambulance corps of the Italian Army. A Farewell to Arms describes a love affair between the American expatriate and an English nurse, Catherine Barkley. Hemingway’s experience serving as an ambulance driver on the Italian Front in World War I, where he was seriously wounded by shrapnel in 1918, supplied material for the novel. Its publication ensured Hemingway’s place as a modern American writer of considerable stature. The title might be taken from a sixteenth‑century poem of the same name by the English dramatist George Peele. The novel has been adapted a number of times: initially for the stage in 1930; as a film in 1932, and again in 1957; and as a three-part television miniseries in 1966. The book became his first best-seller and has been called “the premier American war novel from . . . World War I”. (Wikipedia)


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Alfred Döblin’s Berlin Alexanderplatz

Berlin Alexanderplatz is a 1929 novel by Alfred Döblin. It is considered one of the most important and innovative works of the Weimar Republic. In a 2002 poll of 100 noted writers, the book was named among the top 100 books of all time. It is the best known work of Döblin, a German novelist, essayist, and doctor. A prolific writer whose œuvre spans more than half a century and a wide variety of literary movements and styles, Döblin is one of the most important figures of German literary modernism. The story of Berlin Alexanderplatz concerns a murderer, Franz Biberkopf, fresh from prison. When his friend murders the prostitute on whom Biberkopf has been relying as an anchor, he realizes that he will be unable to extricate himself from the underworld into which he has sunk. He must deal with misery, lack of opportunities, crime, and the imminent ascendency of Nazism. During his struggle to survive against all odds, life rewards him with an unsuspected surprise, but his happiness does not last. The novel has been adapted three times for film, most notably by Rainer Werner Fassbinder in 1980 as a fourteen-part miniseries. (Wikipedia)

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Oliver La Farge’s Laughing Boy

Laughing Boy is a 1929 novel by Oliver La Farge about the struggles of the Navajo in Southwestern United States to reconcile their culture with that of the United States. It won the Pulitzer Prize in 1930. The novel is set in 1915, when the first motorized vehicle was driven into Native American territory. The plot concerns a youth named Laughing Boy who seeks to become an adult who can be respected among his Navajo tribe. The plot covers complications that affect Laughing Boy’s relationship with a beautiful, mysterious young woman known as Slim Girl and his family’s view of it in ways that slowly unfold and intertwine as the novel progresses. It offers a rare glimpse into the Navajo lifestyle and territory. Oliver Hazard Perry La Farge II was an American writer and anthropologist. In 1925, he explored early Olmec sites in Mexico, and later studied additional sites in Central America and the American Southwest. In addition to more than fifteen scholarly works, mostly about Native Americans, he wrote several novels and short stories. His more notable works, both fiction and non-fiction, emphasize Native American culture. He was most familiar with the Navajo people, had a speaking knowledge of their language, and was nicknamed by them “Anast’harzi Nez”, i.e., “Tall Cliff-Dweller”. (Wikipedia)


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Thomas Wolfe’s Look Homeward, Angel

Look Homeward, Angel: A Story of the Buried Life is a 1929 novel by Thomas Wolfe. It is Wolfe’s first novel, and is considered a highly autobiographical American coming-of-age story. Wolfe was a major American novelist of the first half of the twentieth century. His enduring reputation rests largely on his first novel and on the short fiction that appeared during the last years of his life. He was one of the first masters of autobiographical fiction, and along with William Faulkner, he is considered one of the most important authors of the Southern Renaissance within the American literary canon. The character of Eugene Gant is generally believed to be a depiction of Wolfe himself. The novel briefly recounts Eugene’s father’s early life, but primarily covers the span of time from Eugene’s birth in 1900 to his definitive departure from home at the age of nineteen. The novel’s setting, Altamont, is based on Wolfe’s home town of Asheville, North Carolina, and the descriptions of people and family led to estrangement from many in his hometown. Though often regarded as a “sentimental tale of growing up”, the novel is characterized by a “dark and troubling” depiction of the times, “full of loneliness, death, insanity, alcoholism, family dysfunction, racial segregation and a profoundly cynical view of World War I.” (Wikipedia)


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Alfred North Whitehead’s Process and Reality

Process and Reality is a book by Alfred North Whitehead, in which the author propounds a philosophy of organism, also called process philosophy. Process philosophy, also known as the ontology of becoming, or processism, is an approach in philosophy that identifies processes, changes, or shifting relationships as the only real experience of everyday living. The book is also the source of the frequently heard aphoristic reference to Western philosophy all being “footnotes to Plato”. Whitehead was an English mathematician and philosopher whose theories have been applied in a wide variety of disciplines,including ecology, theology, education, physics, biology, economics, and psychology. (Wikipedia)

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Agnes Smedley’s Daughter of Earth

Daughter of Earth (1929) is an autobiographical novel by the American author and journalist Agnes Smedley. The novel chronicles the years of Marie Rogers’ tumultuous childhood, struggles in relationships with men (both physical and emotional), time working with the Socialist Party, and involvement in the Indian independence movement. The fictional character of Marie Rogers lives a life similar to Agnes Smedley’s. Born in 1892, Smedley was an American journalist, writer, and activist who supported the Indian Independence Movement and the Chinese Communist Revolution. She was raised in a poverty-stricken miner’s family in Missouri and Colorado. While the novel is fiction, the content is predominantly autobiographical: a dramatized retelling of the formation of her feminist and socialist consciousness. In the 1987 republication, Alice Walker states in her foreword “it is the true story (give or take a few minor changes, deletions, or embellishments) of one woman’s life. Marie Rogers of Daughter of Earth is Agnes Smedley”. Daughter of Earth has become a standard piece of proletarian literature because of its focus on the struggles of the working class. (Wikipedia)

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Robert Graves’ Good-Bye to All That

Good-Bye to All That is an autobiography by Robert Graves which first appeared in 1929, when the author was thirty-four years old. “It was my bitter leave-taking of England”, he wrote in a prologue to the revised second edition of 1957, “where I had recently broken a good many conventions”. Captain Robert von Ranke Graves was an English poet, soldier, historical novelist, and critic. He enlisted almost immediately at the outbreak of the First World War, and developed an early reputation as a war poet. He was one of the first to write realistic poems about the experience of frontline conflict. The title of his autobiography also points to the passing of an old order following the cataclysm of the First World War. The inadequacies of patriotism, the rising interest in atheism, feminism, socialism, and pacifism, changes to traditional married life, and the emergence of new styles of literary expression, are all treated in the work. The unsentimental and frequently comic treatment of the banalities and intensities of a British army officer’s life in the First World War gave Graves fame, notoriety, and financial security, but the book’s subject is also his family history, childhood, schooling, and, immediately following the war, early married life; all phases bearing witness to the “particular mode of living and thinking” that constitute a poetic sensibility. (Wikipedia)


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Mahatma Gandhi’s The Story of My Experiments with Truth

The Story of My Experiments with Truth is the autobiography of Mahatma Gandhi, covering his life from early childhood through to 1921. It was written in weekly installments and published in his journal Navjivan from 1925 to 1929, and it appeared in English translation in Gandhi’s other journal, Young India. In the book’s preface, Gandhi recalled that he had actually undertaken to sketch out his autobiography as early as 1921 but had to set the work aside due to his political engagements. Starting with his birth and parentage, Gandhi reminisces of his childhood, child marriage, relation with his wife and parents, experiences at the school, his study tour to London, efforts to be like the English gentleman, and experiments in dietetics. Also covered are his going to South Africa, his experiences of colour prejudice, his quest for dharma, social work in Africa, return to India, his slow and steady work for political awakening, and social activities. The book ends abruptly after a discussion of the Nagpur session of the Indian National Congress in 1915. The autobiography is noted for its lucid, simple and idiomatic language and its transparently honest narration, and has become a key document for interpreting Gandhi’s life and ideas. (Wikipedia)


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Erich Maria Remarque’s All Quiet on the Western Front (translation)

All Quiet on the Western Front (German: Im Westen nichts Neues, literally “In the West, nothing new”) is a semi-autobiographical novel by Erich Maria Remarque, a German veteran of World War I. The book describes the German soldiers’ extreme physical and mental trauma during the war as well as the detachment from civilian life felt by many upon returning home from the war. It is billed by some as “the greatest war novel of all time”. The novel was first published in November and December 1928 in the German newspaper Vossische Zeitung and in book form in late January 1929. The book and its sequel, The Road Back (1931), were among the books banned and burned in Nazi Germany. All Quiet on the Western Front sold 2.5 million copies in 22 languages in its first 18 months in print. Three film adaptations of the book have been made, each of which was lauded. Although publishers had worried that interest in World War I had waned more than ten years after the armistice, Remarque’s realistic depiction of trench warfare from the perspective of young soldiers struck a chord with the war’s survivors—veterans and civilians alike—and provoked strong reactions, both positive and negative, around the world. With All Quiet on the Western Front, Remarque emerged as an eloquent spokesman for a generation that had been, in his own words, “destroyed by war, even though it might have escaped its shells.” (Wikipedia)


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Jean Cocteau’s Les Enfants Terribles

Les Enfants Terribles is a 1929 novel by Jean Cocteau, published by Editions Bernard Grasset. It concerns two siblings, Elisabeth and Paul, who isolate themselves from the world as they grow up, an isolation which is shattered by the stresses of their adolescence. It is revealed that the siblings enjoy a relationship characterised by a psychodrama known in the book as “The Game”, which can only be played in their shared bedroom, elevated by the Game-play into “The Room”. The game involves the siblings trying to annoy or irritate each other, Elisabeth through histrionic behaviour and Paul through a taciturn refusal to be affected by her, where the winner is the one who leaves the contest with the last word. It was first translated into English by Samuel Putnam in 1930 and published by Brewer & Warren. A later English translation by Rosamond Lehmann, with the title translated as The Holy Terrors, was published in the US in 1955, and in Canada in 1966. The book is illustrated by the author’s own drawings. The novel was made into a film of the same name, a collaboration between Cocteau and director Jean-Pierre Melville, in 1950, and inspired the opera by Philip Glass. (Wikipedia)

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Sinclair Lewis’ Dodsworth

Dodsworth is a satirical novel by American writer Sinclair Lewis, first published in 1929. Its critical stance toward American capitalism and materialism during the interwar period is a theme that frequently appears in Lewis’ works. Set between late 1925 and late 1927, the novel takes up the the characters of Sam Dodsworth, an ambitious automobile designer, and Fran Voelker, the beautiful young socialist he courts. Focused on the most affluent and successful members of American society, James portrayed them as leading essentially pointless lives in spite of great wealth and advantages. In his analysis of the novel, Martin R. Ausmus has described Dodsworth as Lewis’ “most sympathetic yet most savage”, “most real”, and “truest picture of the middle class” of America at the time. In 1936, the novel was made into a movie, Dodsworth, which received seven Academy Award nominations and has been regarded as historically significant by the Library of Congress. In 1930, Lewis, an American novelist, short-story writer, and playwright, became the first author from the United States to receive the Nobel Prize in Literature. (Wikipedia)


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Entering the public domain in countries with a ‘life plus 70 year’ copyright term

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Henri Matisse

Henri Émile Benoît Matisse was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant new directions in painting and sculpture. The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves (French for “wild beasts”). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasized flattened forms and decorative patterns. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim as an upholder of the classical tradition in French painting. After 1930, he adopted a bolder simplification of form. When ill health in his final years prevented him from painting, he created important works in the medium of paper collage. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. (Wikipedia)


Paintings by Henri Matisse on Wikipedia

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Frida Kahlo

Magdalena Carmen Frida Kahlo y Calderón was a Mexican painter known for her many portraits, self-portraits, and works inspired by the nature and artefacts of Mexico. Influenced by the country’s popular culture, she employed a naïve folk art style to explore questions of identity, postcolonialism, gender, class, and race in Mexican society. Her paintings often had strong autobiographical elements and mixed realism with fantasy. In addition to belonging to the post-revolutionary Mexicayotl movement, which sought to define a Mexican identity, Kahlo has been described as a surrealist or magical realist. She is also known for painting about her experience of chronic pain. Kahlo drew her main inspiration from Mexican folk culture, and painted mostly small self-portraits that mixed elements from pre-Columbian and Catholic beliefs. Her work as an artist remained relatively unknown until the late 1970s, when her work was rediscovered by art historians and political activists. By the early 1990s, not only had she become a recognized figure in art history, but she was also regarded as an icon for Chicanos, the feminist movement, and the LGBTQ+ community. Kahlo’s work has been celebrated internationally as emblematic of Mexican national and Indigenous traditions and by feminists for what is seen as its uncompromising depiction of the female experience and form. (Wikipedia)

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Charles Ives

Charles Edward Ives was an American modernist composer, actuary, and businessman. Ives was among the earliest renowned American composers to achieve recognition on a global scale. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an “American original”. He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. Though his musical experiments, including his increasing use of dissonance, were not well received by his contemporaries, his experimentation foreshadowed many musical innovations that were later more widely adopted during the twentieth century. Hence, he is often regarded as the leading American composer of art music of the twentieth century. Sources of Ives’ tonal imagery included hymn tunes and traditional songs; he also incorporated melodies of the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster. (Wikipedia)


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Thea von Harbou

Thea Gabriele von Harbou was a German screenwriter, novelist, film director, and actress. She is remembered as the screenwriter of the science fiction film classic Metropolis (1927) and for the 1925 novel on which it was based. Von Harbou collaborated as a screenwriter with film director Fritz Lang, her husband, during the period of transition from silent to sound films. Despite her privileged childhood, von Harbou wanted to earn a living on her own, which led her to become an actress despite her father’s disapproval. By 1917, von Harbou had moved to Berlin where she devoted herself to building her career as a writer. She was drawn to writing epic myths and legends with an overtly nationalistic tone. Her first close interaction with cinema came when German director Joe May decided to adapt a piece of her fiction, Die heilige Simplizia. From that moment forward, she began her transition from novelist to screenwriter. Together with Lang, von Harbou worked on a script that would reflect their pride in their German heritage, Die Nibelungen (1924), and enhance von Harbou’s reputation as a writer for the screen. Von Harbou was a central player in producing Metropolis (1927) and later M (1931) with Lang, though she received no credit as the script writer for the latter. (Wikipedia)


The novel Metropolis, in English translation, at Project Gutenberg and as an ebook at Standard Books

Das Nibelungenbuch at Internet Archive

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Robert Capa

Robert Capa, born Endre Ernő Friedmann, was a Hungarian-American war photographer and photojournalist. He is considered by some to be the greatest combat and adventure photographer in history, and is known for being the only civilian photographer that landed on Omaha Beach on D-Day. He covered five wars: the Spanish Civil War, the Second Sino-Japanese War, World War II’s campaigns across Europe and North Africa, the 1948 Arab-Israeli War, and the First Indochina War, with his photos published in major magazines and newspapers. From 1936 to 1939, Capa worked in Spain, photographing the Spanish Civil War. It was then that Capa took the photo now called The Falling Soldier (1936), purported to show the death of a Republican soldier. In 1947, for his work recording World War II in pictures, US general Dwight D. Eisenhower awarded Capa the Medal of Freedom. That same year, Capa co-founded Magnum Photos in Paris, the first cooperative agency for worldwide freelance photographers. (Wikipedia)

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Colette

Sidonie-Gabrielle Colette, or Colette, was a French author and woman of letters. She was also a mime, actress, and journalist. Colette is best known in the English-speaking world for her 1944 novella Gigi, which was the basis for the 1958 film and the 1973 stage production of the same name. Her short story collection The Tendrils of the Vine is also famous in France. Her first four novels — the four Claudine stories: Claudine à l’école (1900), Claudine à Paris (1901), Claudine en ménage (1902), and Claudine s’en va (1903) — appeared under her husband Henry Gauthier-Villars’ pen name “Willy”. After their separation in 1906, and with no access to the sizable earnings of the Claudine books, Colette conducted a stage career in music halls across France, sometimes playing Claudine in sketches sourced from her own novels, earning barely enough to survive and often hungry and ill. To make ends meet, she turned more seriously to journalism in the 1910s. Around this time she also became an avid amateur photographer. Her book Chéri, published in 1920, portraying love between an older woman and a much younger man, ushered in her most productive and innovative period, and the following two decades saw Colette frequently acclaimed as France’s greatest woman writer. (Wikipedia)


Works by Colette at Project Gutenberg

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Auguste Lumière

Auguste Marie Louis Nicolas Lumière was a French engineer, industrialist, biologist, and illusionist. In 1894 and 1895, he and his brother Louis invented an animated photographic camera and projection device, the cinematograph, which met with worldwide success. He and his brother’s work on the cinematograph was inspired by Lumière’s attendance at a demonstration of Thomas Edison’s Kinetoscope. The brothers screened their first film using this device in December 1895, and following the success of this initial venture opened a number of cinemas worldwide. However, Auguste was skeptical of the potential of the device, remarking “My invention can be exploited . . . as a scientific curiosity, but apart from that it has no commercial value whatsoever”. After his work on the cinematograph, Lumière began focusing on the biomedical field, becoming a pioneer in the use of X-rays to examine fractures. He also contributed to innovations in military aircraft, producing a catalytic heater to allow cold-weather engine starts. (Wikipedia)


Works by the Lumière brothers on Wikimedia Commons

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Lil Green

Lil Green, born Lillian Green or Lillie May Johnson, was an American classic female blues singer and songwriter. She was among the leading female rhythm and blues singers of the 1940s, with a sensual soprano voice. Gospel singer R. H. Harris lauded her voice, and her interpretation of religious songs. After the early deaths of her parents, she began performing in her teens and, having honed her craft in the church performing gospel, she sang in Mississippi jukes, before heading to Chicago, Illinois, in 1929, where she would make all of her recordings. Green was noted for superb timing and a distinctively sinuous voice. In the 1930s, she and Big Bill Broonzy had a nightclub act together. In 1940, she recorded her first session for the Bluebird budget subsidiary label of RCA Victor. Her two biggest hits were her own composition “Romance in the Dark” (1940), which was later covered by many artists, such as Dinah Washington and Nina Simone, and Green’s 1941 version of Kansas Joe McCoy’s minor-key blues- and jazz-influenced song “Why Don’t You Do Right?”, which was recorded by Peggy Lee in 1942 and by many others since. As well as performing in Chicago nightclubs, Green toured with Tiny Bradshaw and other bands but never broke away from the Black theatre circuit. (Wikipedia)

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J. B. Priestley’s The Good Companions

Written in 1929, The Good Companions follows the fortunes of a concert party on a tour of England. It is English novelist, playwright, screenwriter, broadcaster, and social commentator J. B. Priestley’s most famous novel and established him as a national figure. It won the James Tait Black Memorial Prize and was adapted twice into film. The Good Companions was an instant hit on publication but was not particularly well regarded by critics. Nevertheless it remained popular for more than forty years. It then fell out of favour, not only because the novel was written from a (rather old-fashioned) middle-class perspective, but also because it dealt with a phenomenon (a travelling music hall troupe) that no longer existed. More recently there has been a reappraisal of this and other Priestley works: a new edition of The Good Companions appeared in October 2007 with a foreword by Dame Judi Dench, accompanying a reappraisal of the various versions by Ronald Harwood, André Previn, and Alan Plater among others. (Wikipedia)


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Edith Wharton’s Hudson River Bracketed

Hudson River Bracketed is a novel about an aspiring writer named Vance Weston and a literary woman named Halo Spear. Marrying other people, but in love with each other, Weston and Spear end up together in the end. The title is in reference to the Hudson River Bracketed architectural style, which was originated by architect Alexander Jackson Davis. The novel’s plot continues in the 1932 novel The Gods Arrive. (Edith Wharton Society)


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Arthur Conan Doyle’s The Maracot Deep

The Maracot Deep is a short 1929 novel by Sir Arthur Conan Doyle about the discovery of the sunken city of Atlantis by a team of explorers led by Professor Maracot. Maracot is accompanied by Cyrus Headley, a young research zoologist and Bill Scanlan, an expert mechanic working with an iron works in Philadelphia who heads the construction of the submersible which the team takes to the bottom of the Atlantic. The novel first appeared in October 1927 as a serial in The Saturday Evening Post. Although a short novel, it provides interesting glimpses into beliefs about the sea during the early twentieth century, and particularly Sir Arthur Conan Doyle’s own outlooks. The British writer and physician is best known for the character Sherlock Holmes, the center of four novels and fifty-six short stories that cemented Conan Doyle’s place in the genre of crime fiction. The Maracot Deep’s dramatic end, involving the fight between the ultimate Good and Evil, hints at the deep spiritual nature which Conan Doyle had developed in his later years. Whereas the adventures of Sherlock Holmes reflect Conan Doyle’s more keen, analytical side, novels like The Maracot Deep show how he seriously took to spiritualism in his later years. It is not marked by any particular religion, though there are strong Christian and Hellenistic undertones. (Wikipedia)


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Duke Ellington

Edward Kennedy “Duke” Ellington was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra’s appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol’s “Caravan”, which brought a Spanish tinge to big band jazz. Ellington recorded for most American record companies of his era, performed in and scored several films, and composed a handful of stage musicals. Although a pivotal figure in the history of jazz, in the opinion of Gunther Schuller and Barry Kernfeld, “the most significant composer of the genre”, Ellington himself embraced the phrase “beyond category”, considering it a liberating principle, and referring to his music as part of the more general category of American Music. Ellington was known for his inventive use of the orchestra, or big band, as well as for his eloquence and charisma. He was awarded a posthumous Pulitzer Prize Special Award for music in 1999. (Wikipedia)

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Adolph Gottlieb

Adolph Gottlieb was an American abstract expressionist painter, sculptor, and printmaker. One of the “first generation” of Abstract Expressionists, Gottlieb formed lifelong friendships with other artists. In 1935, he and a group of artists including Ben-Zion and Mark Rothko, together known as “The Ten”, exhibited their works together until 1940. From September 1937 to June 1938, Gottlieb lived in the Arizona desert, outside of Tucson. In those nine months, he radically changed his approach to painting. He moved from an expressionist-realist style to an approach that combined elements of surrealism and formalist abstraction, using objects and scenes from the local environment as symbols to remove temporality from his work. He transitioned from this into more Surrealist works like the Sea Chest, which displays mysterious incongruities on an otherwise normal landscape. Experiments with the surrealist style in 1940 and 1941 manifested themselves in his series “Pictographs” which spanned from 1941 to 1950. He later developed the series of “Imaginary Landscapes” and “Burst”, before a brief foray into sculpture. He was a masterful colorist as well and in the Burst series his use of color is particularly crucial. He is considered one of the first color field painters and is one of the forerunners of Lyrical Abstraction. (Wikipedia)

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Anne Sexton

Anne Sexton was an American poet known for her highly personal, confessional verse. She won the Pulitzer Prize for poetry in 1967 for her book Live or Die. Her poetry details her long battle with bipolar disorder, suicidal tendencies, and intimate details from her private life, including relationships with her husband and children, whom she physically and sexually assaulted. It was after a second manic episode in 1955 that she met Dr. Martin Orne, who became her long-term therapist at the Glenside Hospital and who encouraged her to write poetry. She found early acclaim with her poems; a number were accepted by the New Yorker, Harper’s Magazine, and the Saturday Review. Sexton later studied with Robert Lowell at Boston University alongside poets Sylvia Plath and George Starbuck. Sexton paid homage to her friendship with Plath in the 1963 poem “Sylvia’s Death”. Her first volume of poetry, To Bedlam and Part Way Back, was published in 1960, and included the poem “Her Kind”, which uses the persecution of witches as an analogy for the oppression of women in a patriarchal society. She collaborated with musicians, forming a jazz-rock group called Her Kind that added music to her poetry. Within twelve years of writing her first sonnet, she was among the most honored poets in the US. (Wikipedia)

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Donald Goines

Donald Goines was an African-American writer of urban fiction. His novels were deeply influenced by the work of Iceberg Slim. At fifteen, Goines lied about his age to join the Air Force and fought in the Korean War. During his stint in the Armed Forces, Goines developed an addiction to heroin that continued after his honorable discharge in the mid-1950s. In order to support his addiction, Goines committed crimes that led to his imprisonment several times, both at the state and federal levels. He began writing while serving a sentence in Michigan’s Jackson Penitentiary. Goines initially attempted to write Westerns, but he decided to write urban fiction after reading Robert “Iceberg Slim” Beck’s autobiography Pimp: The Story of My Life. Goines continued to write novels at an accelerated pace in order to support his drug addictions, with some books taking only a month to complete. His sister Joan Goines Coney later said that Goines wrote at such an accelerated pace in order to avoid committing more crimes, and based many of the characters in his books on people he knew in real life. He completed sixteen books, and is known for Crime Partners (1974), the first book in the Kenyatta series under the name Al C. Clark, and Inner City Hoodlum, which was published posthumously in 1975. (Wikipedia)